fokison.blogg.se - Easy audio mixer 1.0.5

EASY AUDIO MIXER 1.0.5 UPDATE

saturate the input or output of your delay, using the saturation plugin of your choice.

put the EQ you want before or after your delay.

send multiple tracks to the same delay bus, which helps glue the song together.

add the amount of delay you want to a signal, without affecting the dry level.

Sean - can you elaborate on this a bit? Thanks - really enjoying Valhalla Delay!Sure! When you put a delay plugin on a send bus, and set the wet/dry balance to 100% wet, it is easy to: Especially since you can set up ducking in your DAW with any delay plugin and a sidechain dynamics processor, but you can't make any old delay have this sort of "natural ducking" behavior - it is dependent on having a good nonlinear delay model. If your gain structure is set up right, a good analog delay (or a good model of an analog delay ) will have the oscillating signal replaced by the new input. Whatever goes in there, stays in there.until you slam the input with a new signal. In a good tape echo or BBD, you can get a nice repeating echo at the edge of oscillation. Which results in one of my favorite aspects of analog delays: Natural Ducking™.

You'll overdrive the TTE input, while keeping levels fairly manageable to the tape echo section.Įmphasis on the "fairly manageable." You're actually SLAMMING the input to the tape delay. Want to have less distorted echoes? Back off of the TTE gain, but use a booster pedal (say, the Xotic EP Booster) in front of the TTE. Crank up the input gain of the TTE, and you can overdrive the Deluxe in a glorious way. I'm using this with my Deluxe Reverb RI, and the gain interactions are just amazing, regardless of any delay things going on. Honestly, it is a bit too much wow & flutter for most musical purposes.Īnyway, you wanna hear a PREAMP? I give you this:

EASY AUDIO MIXER 1.0.5 UPDATE

Well, perfect if you want a warbly tape echo to include as a future update to a plugin. Right now, it has the perfect amount of warble. The problem with using an EP-3 as a preamp: You've got a 45 year old tape echo attached to it. This causes the 1st stage to get some lovely clipping that wouldn't happen on its own. Plug an EP-3 into a good tube amp, and you can really boost the input to the 1st tube stage. The EP-3 is far from transparent - it shaves off some of the low and high frequencies. It has less harmonic generation, on its own, than something like the ZVex SHO, which generates more gain and more 2nd order harmonics. It is all about the interaction between your guitar, the EP-3, and the tube amp downstream from the EP-3. For me, the EP-3 preamp doesn't really have much of a sound, on its own. I guess that’s better for people who are already using some preamp drive pedal that they love. Yeah, I heard a demo of it and I thought it nailed the preamp drive better than the Volante, which seemed a lot more transparent.